I have long been fascinated by three-dimensional sculptural forms. This passion dates back to my childhood, when I imagined and crafted a set of 3D cardboard zoo animals at my grandmother’s house. Over time, I have developed a distinctive folding technique that exaggerates geometry and sharp creases, revealing the psychological and symbolic essence of each subject. This body of work reimagines and deconstructs the human figure through cubist-inspired folds and bends, translating movement and emotion into angular, sculptural forms. Suspended between physical sculpture and digital translation, these works navigate multiple media, expanding the visual and conceptual language of the human figure.